Here it is, the poem towards the end of the book about fireflies.
Go into the twilight.
I am the one holding the bubble wand. Fortunately (?) my power is in positively altering my environment, though I often do not directly feel the results. Let's talk about allelopathy, secreting chemicals that alter the growing environment and make it less hospitable for one's competitors. Allelopathy is an adaptive strategy. That's not what I do. I am about the business of making things slightly better in the space all around me. I focus and create bubbles, dandelion tufts, things beautiful and simple and buoyant that are dispersed on the wind to take root in some forgotten corners. I no sooner breathe than create, no sooner create than rejoice. And my greatest joy is in the motion and interaction that my loves and small attentions conceive. I create a place that is a little bit better, a little richer, than anywhere else, maybe it is the only clean patch and neat, or riotous and vibrant, but the party which is open, is open even to the people who come and take (we call them generalists) who will take what I can give and then move on. They pop the bubbles which would have died anyway, but they tread on the goldeny threads of inspiration and cosmic joy in that moment of dance between the world and the senses. They are loud and don't know what I have begun to say in the quiet. My worlds are not hidden from the street traffic, and everyone can see what is valuable in it but not why, and they pull the meaning up by the roots, dissect it to see if it had merit. A disincentive perhaps to share my world, to exhale (my being and my breath). Every body has to survive, but if I can't help but live in mutualistic association and I have no protecting symbiont the world takes care of itself by taking from me anything that I offer.
Show up at the page, appearing at this window I offer myself up as a blank mind to the tender mercies of the winds, Muses as faint in scent, as feathery to touch, as invisible, as passingly extant as all thought and inner experience flowering into some product the subtlest fluid of which it is permissible to drink and in drinking to be drunk deeply, to pour forth that fountain-- that voluble torrent of love and care, the softest words whispered to oneself and the dark ceiling in the night beyond light in the twilit chambers where filters each shadow becoming impressions on the pastel wall, as memorable as water beads running in the shower, and as intently noted even while they slide away all. Words are free and thus is their pain; to live fleeting, mutable lives in the mind, altering the landscape for the space of half an eternity--half a second. What could matter in this ever-fixed ever-changed war, where transformation is the only constant, the only choice, and the particular, the definite marks death?
I am frustrated with my own slow progress, self-referential loops that leave me myopic in the passive and descriptive, endless circular thoughts filled with commas, with hesitation. I am frustrated with the way my mind settles and clears following stones thrown to the bottom of a lake. How long it takes. I am the stone-thrower. I fight the gradual accumulation of what I already sense, and would stamp my feet to have the whole before me. Despite my tantrums I work steadily, I progress despite myself, or when I am asleep. I must keep myself in the dark, work miracles behind closed eyelids. No wonder my waking self forgoes sleep as long as or longer than it can physically be forgone, anything in rebellion, anything but what my deep self dreams of, anything but wings. Why can I not grant that boon in and for myself? I am yet keeping myself powerless. Stalemate with stale hopes on a dusty shelf, when I know that the snowglobes hold castles and patterns of the deepest shades, burgundy, royal blue, and the gold that burns. Dust is useful to me yet, and it suits my mood. Things which are glorious pretend at the tawdry. After all, from what matter sprung creation?
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